I think the original title of this was A sick thing upon the rocks in the very early morning. It’s from when I was a teenager in college. (I think the sketch that precipitated this ink drawing originated during an acid trip; that coming down feeling—)
As I see it now, looking through the archive, it looks to me like a personification of the tail end of winter. Fighting in vain against the sun; unwilling to exit stage left; refusing to retreat for its Persephone months—
Those during which she must return to where she’d been abducted. By absent-mindedly eating the pomegranate seeds proffered by Hades, she doomed herself to a third the year in the underworld, thereby depriving the surface of the world of green things growing during her absence.
That is Winter, which doesn’t like to take its leave quietly, gracefully.
. . .
(TBH, the way I wrote the title of this post reminds me of nothing so much as the GOP, but that’s a different sort of post altogether.)
Beyond the Red Oak v6 from Elizabeth Daggar on Vimeo.
I haven’t had time the past two weeks to get much farther with this, but I’m hoping to get back to it on the weekend. Here’s where I left off in my motion tests and atmospheric meanderings.
On offer today: a pencil drawing of yet more winter trees, stylized and simple.
A Snow Story [in progress] from Elizabeth Daggar on Vimeo.
Here are the bare beginnings. (And more Ravel, as it happens.) For context, see this post and this post.
I’ve embarked on a project that has decided it wants to be something much larger than I’d planned, which is awfully exciting (to me). What began yesterday as just a few drawings of trees and birds to layer into another snowscape has planted the seeds of a short film, a proper story. The spark has been lighted and no going back!
These are two stills from the scene I worked on today using yesterday’s drawings. I’ll share a sneak peek at some motion soon.
I’ve been given a snow day from work on account of this storm (referred to by meteorologists as a Bombogenesis, Bomb Cylone, and Winter Storm Greyson). It has settled in Brooklyn in the form of a persistent and blanketing snowfall out the window all morning, and not a soul around.
It inspired me to make this little animation from my ink drawings back in October. And now I’ll try to get some work done.
The book featuring these and other drawings can be found at Lulu.com.
The music is Autumn in New York, by the Bill Charlap Trio. So good.
I stayed home last night; missed several parties, missed toasting with friends who I’ve not seen enough of. A head cold has been slinking ‘round the door for a few days (probably a few weeks), and by Midnight it’d overtaken me. I didn’t have any the past two winters, but I’ve been burning candles at both ends lately, so I can’t be too surprised or upset.
Despite feeling poorly, it’s not a bad thing to cross the threshold of a new year quietly and in solitude. I did this little drawing to mark the changing of the guard. (I added the snow on a whim, though clearly those aren’t winter trees, all clad in leaves.)
I’d hoped for a cold-bright wander on New Year’s Day, but that’ll have to wait for better health. Glad tidings, with a few sniffles! I’ll see what I can make of it. More drawing, whether for me or my freelance project, will make a fine start of things for 2018.
Returned from the snow farm for the last few days of the year’s closing book. Serene here, too— quiet and white-blanketed. Few people are on the sidewalks, chilled and brittle. The emptiness of the playground today: a witness to the mercury, its height diminished despite bright sun.
And here we meet our fabricated bookends for time, believing we can hold or control it; we note it and name it to preserve the illusion. All is change, even the end of things, like the dying year to be replaced or born anew this midnight. Supplanted by new hopes, optimism in the dark corner of the year. Rebirth, Springtide: a crocus fighting her way up through a crust of snow.
Her bloom and demise are written in the maths that make her. Only we personify it, make a mirror of her. We with our imagined souls are infinitely fragile. So we make of her a beacon.
We’ll wait for her in the darkness yet to come. We’ll look for her as we burn through the woodpile, stacked under the eaves last fall. And as we watch the icicles melt, painting the days toothless, mild, and green again.
*from the poem ”To the New Year” by W. S. Merwin
It’s double-quilt weather and icy lashes weather as the wind stings saltwater rills from our eyes. Shoulders hunched, we retreat into our hoods like sheltering caves.
Convolutions and subtext slip away like shingles from a roof during high winds. Faced with the elemental force of cold, our needs simplify. Just as hunger renders food delicious merely by filling a need, warmth does same after a spell of shivers; muscles convulsing in their toil of keeping the blood from slowing in our veins.
The simplification is good. Makes us thankful for the ease of milder days. Which at length leads to contemplation; to philosophical meanderings and resolutions. We will never take anything for granted again!
But we tend to be creatures of reaction more than of action. So, always the ebb and flow: seasons without, seasons within.
We will be relieved when the plumbing returns. In the meantime, we recognize the relative ease of most days. We hope the pipes hold and do not burst. And we wait for things to thaw, to soften even a little, in their intensity.
The barn cats, huddled and hungry, have not ventured forth to beg in the dooryard today. The stalwart horses, shaggy in their winter coats and snugged in blankets, have chosen to remain in the shelter of their run-in stalls— those hard-wired grazers who prefer to spend days in search of remaining blades of green beneath the snow.
Even Wolf, of Siberian ancestry —built for the inhospitable, the brittle— ventured out in the morning, but resigned to coil himself in a windless corner of the porch rather than roam the fields as he usually does..
The frost is holding fast. The cold, recently settled in, is absolute. So too the clear blue of the cloudless sky. Not a single drip today from an earlier day’s sun-melt row of icicle teeth. Not even at noon on the south-facing eaves.