Along windswept edges of town
amid stern midcentury angles,
a bright unsunny light filters and glances;
limns the geometric emptinesses between things
on a weekend in shoulder season
on a slip of land off the coast of Long Island.
The color of the wood sea-silvered— salt boxes
beheaded, re-envisioned by exacting minds,
rise out of a low wild landscape to divide,
bisect, and generally make sensible for city dwellers
the unfathomed abundance of sky above the breakers.
No quaint adornments, no flower boxes, finials,
no lacy curtains dance on ocean breezes, flutter out open windows.
Floating panes refract the vast surround until at dusk velvet dark
the reflected scrims inverse— reveal interior stages of we-scale dramas;
unveil views on strict styled stages beneath linear precise prosceniums.
In the deeper hours, silhouettes of deer move among the low pines
grazing, and foxes chase along the sanded strand beneath a
dull-bright moon, unfettered by the intrusion of angles in the
wild grasses, unheeding of stories not their own.
Here are the days—
on the horizon like a
matte painting, wavering
This part of summer
finds me un-hungry.
I have no appetite.
My desires simplified,
like the half-shells of
bi-valves, left hollow on the sand.
The sounds of waves,
shrieking gulls, soft wind—
And the gradual granular erosion
of my skin, cell by cell.
A pretzel taste on dry lips.
The penetrating tiredness,
and how sun-soaked skin
feels temperatures differently now.
The monotony of waves,
that results in a kind of
a loud silence,
a dense-packed solitude.
Time stops for a few hours.
There is a profound reassurance
in these contradictions.
Tide in, tide out
Salt and sand—
that soothe, and erase.