Where there are quiet streets and loud colors

Old building in the French Quarter, NOLA
church and sunset in the Marigny, NOLA
A corner in the Marigny, NOLA
Bright colors on shotgun houses in the Marigny, NOLA
Second story porch on a house in the Marigny, NOLA
Romantic dormer windows, NOLA
At the edge of Louis Armstrong Park in the French Quarter, NOLA
Houses of the French Quarter, NOLA
Fabulous colors of paint in the Marigny, NOLA
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A Late Sunday in The Bywater 

There was this restaurant which hadn’t been on my radar as a destination, but the one we’d meant to go to told us on the phone Our last seating is at 8:45 on Sunday, and it was 8:35 already, so.

So we opted for this New American place also in the Bywater. Trendy. When we arrived it was Well, no reservation, give me a few minutes, trust me and after 15 minutes of being ignored by the bar and searching our phones for alternatives, he gave us a table that had been empty in plain sight since we walked in. It’s like they want to make you sweat and make the reservation-rule-abiders feel good and special.

Anyway we had a pretty smashing meal and a nice Alsatian blend and got friendly with our server, who turned out to be a recent-ish transplant, a singer, in love with the city, on that arc, that high note where you’re meeting people and making things happen. We talked with her at length after meal service had finished and she told us about a bar farther out that she liked, so we decided Fuck it let’s go.

Some blocks later we found the place. It had a vast high-ceilinged interior, like so many places in NOLA— always surprising as they look small from outside. It was a chill vibe, and good music playing. Some folks playing pool at the far end.

There were a couple of people in black hats and robes like witches with fairy lights on. Another with them was dressed like some kind of dinosaur or abstract unicorn, and some in regular clothes. A private party, they seemed, off at a table. We sat at the bar and ordered, were served.  I got consumed with the orb lights, gradually shifting colors and making decent compositions in the camera. I wrote in my book a little. 

The bartender, a beanpole sporting a hipster half shirt and suspenders was speaking more or less continuously to a chap sitting on the other side of Z. Z and I chatted here and there, but he seemed distracted. Maybe he was tired, or listening in on the conversation. I couldn’t hear anything but the rutabaga-rutabaga murmur of television scenes in rooms where music and conversation overlap. 

As we finished our drinks I asked if we ought to stay or move on. Z said Move on. When we were some blocks away Z relayed to me the disturbing conversation he’d overheard between beanpole and the guy, who’d been explaining that his coke dealer’d raped someone. The two of them then went on to discuss all the many ways said dealer had fucked numerous people over in the more usual ways; money, broken promises, &c. 

I dunno if the dealer had been arrested or if he’d now gone a shade too far to be tolerated by the guy at the bar; I didn’t hear any of it. Maybe he was doing that thing of fishing for a shared line or two by talking about such things in earshot of strangers who might by chance also partake. I told Z he should’ve said he wanted to leave sooner. It clearly made everything uncomfortable. Z’s experience had been nothing like my naive absorption in orb lamps shifting colors, and book and pen. 

It makes you wonder about all the many conversations in all the bars and restaurants that go on all over the world— all the conversations you don’t hear. It makes you aware how much general trust there is in polite exchanges, and how separate you are from what’s behind every door, every curtain.

It reminds you that everyone has a different measure or barometer of what’s normal, of what counts as day-to-day, and makes you thankful that your version is way less fucked up or hideous than some others.

The Weather in New Orleans

That great mechanical pencil got lost last Thursday, when I’d got about halfway through this drawing– lost it on the walk home I guess. So I had to go buy a new one. A changing of the guard; turning point, perhaps.

this corner of Bywater


(Or Bacchanal on the rainy day)

Here is a pencil drawing I did this evening of the wine store/bar in Bywater that Ben and I fell in love with. The place was at the ass-end of Chartres Street, in an Industrial/residential milieu that definitely grabbed our Brooklyn-based minds (Think Gowanus area). This  patchwork-quilt of a building, in particular, looked like a gracefully crumbling chateau frozen in time between shotgun homes and the military base/aged-industrial bend in the wide river.

Continue reading “this corner of Bywater”

some sketches from the NOLA moleskine…


The woman at the piano bar in Lafitte’s Blacksmith Shop in the quarter; and a quick sketch of handsome Ben at same locale. (click to see full)


Some of the folks hanging out at the Circle Bar on Lee Circle, just north of the CBD. (ditto with the clicking)

A smattering of New Orleans selects

Below are a very, very few selects from the photographs I took during our recent trip to New Orleans. I will be adding a rather large amount to my Flickr page soon, but for now… (see link under the third photo for more)

UPDATE: There are loads of images on flickr now– click HERE to see those.


Wednesday afternoon, first stop after checking into our hotel: Pimm’s cups at the crumbling delight that is the Napoleon House in the French Quarter.


The lovely decrepit doors of Preservation Hall


Painterly exposure of a night house on the walk into Marigny to visit the R Bar.

Continue reading “A smattering of New Orleans selects”