A bit of in-progress work for a travel project— a bit of an arts and culture map via watercolor. I find it sweet and endearing. But then I would; I’ve been working on it for two weeks, and have become rather attached.
Can’t explain it in full, as it’s for a small audience, but I wanted to share just a sliver or slice of what’s been taking up some of my time and best efforts. To be repetitive, I’m so happy to be working at a place that makes use of these, the more vague or difficult to explain (on a resumé) of my talents. Overjoyed they want them, now they’ve seen the work in situ*, as it were.
Continue reading “Cartographics color the way we see the world when we get there.”
Last month I created more images using my watercolor paired with digital vectors technique, this time for some editorial illustrations. They were for an article suggesting things to do while in NYC based upon visitors’ astrological signs, which was published earlier this month.
These took a departure from my food illustrations, in that these form complete scenes. It was more challenging, to be sure, and I learned a lot in the process. It was also great fun, honestly, and such a pleasure to be able to create things like this at work. My watercolor half-pans have basically set up permanent camp at the office.
Be sure to check out the full article on nycgo.com— it’s cheeky and fun!
Here are some illustrations I’m working on for a project. The process involves first doing a pencil drawing of the shape, which I then scan and trace in Adobe Illustrator so I have a clean-lined vector shape. Then I print it out as just a black outline, and tape to the back of a piece of watercolor paper.
Next, I place the sandwiched sheets of paper on a lightbox, and paint with watercolor. Finally, I scan the painted pieces and use the vector shape as a clipping mask to regain the crisp edges of the original drawing.
It sounds like a long process, but it’s a wonderful way to combine the organic flow of the watercolor with the sharp lines of a vector illustration.
If I have time soon, I’ll put some process pics up here, as that probably sounds like a foreign language to anyone not familiar with the tools involved.
A sample of one of the little instagram comics that Z and I crafted last year under the handle @whileyouwerehappy. We kept at it for awhile, but it was time-consuming and after maybe 4-5 months our attentions inevitably turned elsewhere. It was fun, though, and we really did make ourselves laugh like mad people over them.
I think the original title of this was A sick thing upon the rocks in the very early morning. It’s from when I was a teenager in college. (I think the sketch that precipitated this ink drawing originated during an acid trip; that coming down feeling—)
As I see it now, looking through the archive, it looks to me like a personification of the tail end of winter. Fighting in vain against the sun; unwilling to exit stage left; refusing to retreat for its Persephone months—
Those during which she must return to where she’d been abducted. By absent-mindedly eating the pomegranate seeds proffered by Hades, she doomed herself to a third the year in the underworld, thereby depriving the surface of the world of green things growing during her absence.
That is Winter, which doesn’t like to take its leave quietly, gracefully.
. . .
(TBH, the way I wrote the title of this post reminds me of nothing so much as the GOP, but that’s a different sort of post altogether.)
Here are a couple stills from a scene into which I’m working that oak tree drawing and the landscape I’ve been working on. I’m still getting the hang of working with cameras, and messing about with focal lengths and such, to get the depth of field. It’s slow going, but enjoyable.
Another drawing in service to the animated short I’m working on. This is one I did last weekend, and I’m hoping to get the barn and silo illustrated from at least one point of view this weekend. Also: fences.
I’m looking into learning more about the puppet tool in After Effects, too, so that I’ll be able to get a wider range of motion out of the creatures I’ve yet to flesh out.
In the meantime, I also have several illustrations to do for the documentary side project I’m working on. So much to do, and weekends go by awfully fast.
I’ve embarked on a project that has decided it wants to be something much larger than I’d planned, which is awfully exciting (to me). What began yesterday as just a few drawings of trees and birds to layer into another snowscape has planted the seeds of a short film, a proper story. The spark has been lighted and no going back!
These are two stills from the scene I worked on today using yesterday’s drawings. I’ll share a sneak peek at some motion soon.
I’ve been given a snow day from work on account of this storm (referred to by meteorologists as a Bombogenesis, Bomb Cylone, and Winter Storm Greyson). It has settled in Brooklyn in the form of a persistent and blanketing snowfall out the window all morning, and not a soul around.
It inspired me to make this little animation from my ink drawings back in October. And now I’ll try to get some work done.
The book featuring these and other drawings can be found at Lulu.com.
The music is Autumn in New York, by the Bill Charlap Trio. So good.
Good news and glad tidings! The printed proof of my little book of Inktober drawings arrived, and I’m releasing it to the world, so have at. Order away!
Today, too, I went to press to see my first few printed items since working at NYC & Co; a very satisfying and exciting mission for a freezing Wednesday morning in December.
Here are a few photographs I shot of the cover and a couple of spreads in the ol’ Museum (under incandescent, so you can feel like you’re here. It’s cozy here.) to further entice.