The Witch-boy: line etch proof

Here is a scan of an initial proof of my line-etching of the witch-boy. This is the result of scratching my drawing into a waxy coating over the copper plate, called a hard ground. After coating the plate, you can transfer your (reversed) image onto the surface to guide you as you make your lines into the coating with a scribe tool..

Once you’ve finished, the plate is ready to go into the ferric-chloride acid bath. The places where you’ve scribed into the hard ground coating will be eaten away by the acid, thereby “etching” the lines into the copper plate.

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A witch-boy wanders woods at the full moon

detail of a drawing of the witch-boyMeet the witch-boy. He surfaced toward the end of my Inktober series for this year. I did a couple more sketches of him after the first, intrigued.

A few weeks ago I began studying intaglio again, and decided I’d like to do an etching of this guy, but that initial sketch needed some work, it was very rough. Below are four different studies I worked on my iPad of the witch-boy in various different wooded settings.

Witch-boy digital study No.1Above is the first study. I like the composition of the snow and path, but after some thought I decided that these slender trees are not quite what I had in mind; they lack mystery. So I moved one to another.

Witch-boy digital study No.2Here are some beefier trees which I can easily imagine being toned with a combination of line etch and aquatint (a way of introducing continuous tone shades to a print) I like this one! But I kept going.

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All around All Hallow’s Eve— catch up drawings

ink drawing of a witch boy

Here’s what I haven’t posted the past few days— and I’m still three days behind! But the missing drawings will be forthcoming. I’m a man of my word, dammit.

Above, Day twenty-seven: : The witch boy on a night walking beneath the pointy crescent moon.

photo of me in bandit makeup for halloween

Day twenty-six: My FACE! Here’s a variation, as I already included one in the last post. This makeup was my 26 day drawing, haha.

ink drawing of a palm plant

Day twenty-five: a palm plant, enjoying the sunshine of the east-facing window in her new-old house.

Day twenty-four: The mystery had only just begun

ink drawing of a pile of ephemera and a key

Day twenty-four: When at last she’d completed ministrations to her old-new house in such ways that compelled her, she returned to the leathery old box— a delicious reward. Retrieved from its out-of-the-way place of safe-keeping (much to Cat’s chagrin), she opened it. It contained the following:

+ One journal; worn but not ruined
+ One sheaf of very old photographs (same)
+ One packet of post-cards, written long ago (in surprisingly decent nick)
and
+ One iron key, threaded on a threadbare plaited tassel

The mystery had only just begun.

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Day twenty: a wreath of weeds and brambles

ink drawing of a wreath of twigs and weedsShe used some of the weeds and brambles she’d pulled from the garden to make an autumn wreath.

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Day nineteen: a Great Pumpkin on a full moonlit night

ink drawing of a pumpkin on a full moon night

Day nineteen: a Great Pumpkin on a full moonlit night

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Day eighteen: A great old iron key or handle

ink drawing of an old keyDay eighteen: A great old iron key or handle was in the garden where she was digging up weeds to plant bulbs for the Spring. She determined to find out what it fitted in, if it was indeed part of the house.

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#Inktober2018 #Inktoberday18 #ink #drawing #illustration #storytelling #inktober #key #skeletonkey #mystery

Day seventeen: a dinghy waited on the shore

ink drawing of a dinghyDay seventeen: The dinghy had been dragged up on the shore and left there. No one knew to whom it belonged.

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