It’s a fine Sunday, breezy and overcast; not bad qualities for a lazy morning at a window-side desk.
A long time ago I used to use crow quill dip pens for drawing and lettering. Though it can be a chore keeping those nibs clean enough to flow nicely, their character cannot be matched by the modern ink-filled pens that strive to emulate the look. It is, in part, the tension between the sharp metal and the paper that makes it unmistakable.
This little monochrome sketch has aways touched me. It somehow reminds me of Tove Jansson’s Fillyjonk character. I’ve been posting forgotten things from old sketchbooks on IG; follow me @edaggarart to see more.
This is a sketch from a couple weekends ago. My friends Sarah & Tara were performing at Freddy’s Bar & Backroom, and the band that followed them was
Elijah Shiffer And The Robber Crabs. The sax player had a sort of steam punk-looking alto sax— it had a machine-like patina not generally associated with such an instrument. .
I began to draw it, but with so much detail amid all the movement, it was difficult to pin down. Anyway, I quite like this sketch, even unfinished.
I think the original title of this was A sick thing upon the rocks in the very early morning. It’s from when I was a teenager in college. (I think the sketch that precipitated this ink drawing originated during an acid trip; that coming down feeling—)
As I see it now, looking through the archive, it looks to me like a personification of the tail end of winter. Fighting in vain against the sun; unwilling to exit stage left; refusing to retreat for its Persephone months—
Those during which she must return to where she’d been abducted. By absent-mindedly eating the pomegranate seeds proffered by Hades, she doomed herself to a third the year in the underworld, thereby depriving the surface of the world of green things growing during her absence.
That is Winter, which doesn’t like to take its leave quietly, gracefully.
. . .
(TBH, the way I wrote the title of this post reminds me of nothing so much as the GOP, but that’s a different sort of post altogether.)
Here are a couple stills from a scene into which I’m working that oak tree drawing and the landscape I’ve been working on. I’m still getting the hang of working with cameras, and messing about with focal lengths and such, to get the depth of field. It’s slow going, but enjoyable.
Another drawing in service to the animated short I’m working on. This is one I did last weekend, and I’m hoping to get the barn and silo illustrated from at least one point of view this weekend. Also: fences.
I’m looking into learning more about the puppet tool in After Effects, too, so that I’ll be able to get a wider range of motion out of the creatures I’ve yet to flesh out.
In the meantime, I also have several illustrations to do for the documentary side project I’m working on. So much to do, and weekends go by awfully fast.