The wires are a connective element; a conduit of civilizing electricity, yet there is an insistence on isolation inherent in the design of some of the houses here. Beyond an eye toward privacy, they sometimes feel fortress-like, extending a feeling of invitation only to those already familiar; only to those whose homes they are.
On a grey day, after the season has come to a close, these intimations feel exaggerated, thrown into relief, creating a different sense of drama— the sunny delights of summer recede, leave behind arresting silhouettes along the shore and among the stands of trees.
Along windswept edges of town
amid stern midcentury angles,
a bright unsunny light filters and glances;
limns the geometric emptinesses between things
on a weekend in shoulder season
on a slip of land off the coast of Long Island.
The color of the wood sea-silvered— salt boxes
beheaded, re-envisioned by exacting minds,
rise out of a low wild landscape to divide,
bisect, and generally make sensible for city dwellers
the unfathomed abundance of sky above the breakers.
No quaint adornments, no flower boxes, finials,
no lacy curtains dance on ocean breezes, flutter out open windows.
Floating panes refract the vast surround until at dusk velvet dark
the reflected scrims inverse— reveal interior scenes of we-scale dramas;
unveil views on strict styled stages beneath linear precise prosceniums.
In the deeper hours, silhouettes of deer move among the low pines
grazing, and foxes chase along the sanded strand beneath a
dull-bright moon, unfettered by the intrusion of angles in the
wild grasses, unheeding of stories not their own.
Another half day spent at the beach, and two more people added to the sketchbook. I also made a silly little movie of sea birds —fluttering, fighting, and diving as they do— posted on Instagram.
The rain was very light, but the skies were darkening. After learning what the satellites warned, we broke camp— packed as quickly as possible, ran to the boardwalk and rode fast to beat the real rain at our backs. Made it to a bayside pub to wait out the rain then another quick dash to the ferry dock.
By the time everyone boarded the rain had stopped. Later, as we rounded the bend toward the Verrazano Narrows, the divide between the portside storm and clear skies ashore (starboard) was dramatic, and those of us on deck got a little of the rain. (Still, better to be on deck in rain and wind than below in the too-chilling air conditioning.)
The situation of the weather in these photos brings to mind the original meaning of the word POSH: Port Out; Starboard Home. On a larger vessel, posh seats would have been just the thing in this case.Back in Sunset Park, cycling northward on Second Ave, the post-storm light was too good, so I had to stop to take pictures a few times.