After a day where a sudden drop in tempurature causes green leaves to fall like the piano needles from Charlie Brown’s xmas tree

I must quiet my mind.

Sometimes it can be done with reading on the train. And sometimes it needs to be done by formulating, or finding, some clear thing out of the jumble of tangled strings and wires— the ones that formed knots in one’s head during the tumult of the day. 

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A doubtful guest arrived just before those invited

Saturday evening, perhaps twenty minutes before the arrival of some friends, as I sat on the Queen Anne, a shadow shape limped into my peripheral. I said Mouse! And then my tone changed immediately as I saw him slump to a stop on the floor just a few feet from me, and close his eyes. …Mouse?

I thought he may have perished before me in that instant, as he did not move when I interrogated him, nor when I stood up.

My mind searched for what I might do about his limp body. I fetched a wooden drawer that I’d just come across the day before, folded a paper towel in, and used a second to pick the poor thing up. He did not so much as blink when I approached, so I knew he must be feeling very poorly, but he was not yet dead..

I set the box on the kitchen table, and put a tiny butter-pat dish of water and some few pieces of granola in, and left him. He moved around a few times, perhaps trying to get comfortable. I’d warned my guests of his presence, and we left him in there while we gathered in the living room.

Hours later after they’d gone, I went in to check on my new charge, and found the box empty, without so much as a thank you. He clearly had recovered, with speed. Lord knows where he is now, but the insolence! Such rudeness!

Next morning after relaying this new to one of my visitors, I could only joke on the disappearance, “Just like a man!”  And then there’s me— always taking in broken things.

When time turns in upon itself, you question everything

I’ve been on a new trajectory. It’s great; it’s weird, It’s new. I love new.

I also love Old. That’s neither here nor there. I’ve been feeling like a teenager again, lately. In the sense where I’m acutely aware how temporary so many people in one’s life tend to be. It’s not a judgement call; only acknowledgement of reality.

Most folks are temporary. There’s a time during which you overlap. It ends.

The thing to always remember is that you’re permanent. Be permanent to yourself. A solid. And recognize those who exhibit permanent qualities in return— they’re your rocks. Will help get you to your True North. The Keepers.

 

Rain soft patterings on wet leaves

rain blurred trees photo by E DaggarOut the front window near my desk, the swifting plash of car tires; drips dripping off the curled iron of the fire escape.

Out the back window, where the trees climb higher than the roof, rain soft patterings on wet leaves; there is no wind today.

The leaves have not even begun to consider a change of wardrobe, as Summer lingers; couch surfing straight into October.

.

(This is from last week, when it was still in the 80ºs.)

Summer swords

In summer my fingernails
grow like weeds—
just grow and grow and there’s
no stopping them.
All that vitamin d; sunlight
so I have to clip, trim,
file. Sand down the edges
that snag on my shirt or a
neighboring nail.

They’re long now, but instead of
cutting, clipping, reigning in, I
have the urge to paint them.
The brightest color I can find.
I’ve no patience for that
occupation. Always I ruin
the lacquer, a fidgeting sitter,
and even when I don’t, the color
soon chips away. My hands
are tools; these nails are daggers,
diggers, makers.

But I chafe at practicality
in back-to-school season.
So I’ll color instead of clip
and wait for them to chip—
a reminder that nothing lasts
forever, not even lacquer, or
fingernails, and definitely
not summer.

An architecture of isolation

 

houses and wiresThe wires are a connective element; a conduit of civilizing electricity, yet there is an insistence on isolation inherent in the design of some of the houses here. Beyond an eye toward privacy, they sometimes feel fortress-like, extending a feeling of invitation only to those already familiar; only to those whose homes they are.

On a grey day, after the season has come to a close, these intimations feel exaggerated, thrown into relief, creating a different sense of drama— the sunny delights of summer recede, leave behind arresting silhouettes along the shore and among the stands of trees.

A house in the pinesWires and branches

The hum in the wires

Wires on a barrier island

There is a hum in the wires. It’s faint but if you close your eyes it’ll find you. It was there before the wires were strung, but in them it found a conduit. It’s elemental, but not the way you may think. It’s not the wind, either. Those forces are altogether different to what sings along these undulating lines.