This image, a detail of one of my assemblages involving old porcelain dolls. Their halos are of sterling wire.
I love the world Tove Jannson created with her wonderful Moomin books. The writing and illustrations are top notch, full of subtlty and wistfulness and the complex emotions we don’t always allow children* to have, or forget they have. Her works are up there with Edward Gorey to my mind, and the beautiful animations made of Charles Schultz’ Peanuts gang (especially the Christmas special).
The other week I showed a friend my pencil animation in progress and he said it reminded him of Edward Gorey meets Peanuts; as you can imagine it made my day 🙂
Happy Saturday, readers!
. . .
I impulse-bought a bunch of match books from a local shop. Cause it sucks when you suddenly find yourself without a lighter (as your friends are all secretly kleptos).
When I got home, I couldn’t get past how unsatisfying the design on the boxes was, and how I didn’t want to look at them (scroll down). So I set myself a little project, inspired by the book cover matchbooks I’ve bought at Word in Greenpoint (scroll down). Gold paint, some paper and a glue stick. Voila!
For mine, I just grabbed a bunch of paper oddments from my drawer of same, and started cutting them up. Below is a batch of ten, complete; there are different papers on the obverse of each. I reckon I’ll do more, cause it’s an oddly satisfying occupation for idle hands.
Some friends and I took a trip into the Big Town on Monday to check out a couple exhibits at the Met. One was the Rei Kawakubo / Comme des Garçons exhibit of works spanning some decades. The gallery space was designed specially for this, a collaboration between the artist and the Met, and the whole experience was stunning and ethereal, and sometimes creepy (in a great way). We really enjoyed it, and I wish it had been less crowded even, so I may have spent more time sketching.
We also looked at the Irving Penn retrospective, also pretty damn wonderful and inspiring. Below are some photos from the first exhibit. Enjoy!
Here’s a first for me: Beer can label design for the Sunset Swing annual gala, held by one of my clients (Southwest Brooklyn Industrial Development Corp.). Five Boroughs Brewing Co. created a brew just for the upcoming event, and this is the proof for the finished labels. So fun!
Below are some photos of the can and the ad journal from the event last evening. They were printed with a metallic gold for the lettering and silver for windows, which looks fantastic.
Yesterday I received a wonderful surprise in the mail— this gorgeous piece of artwork by Luiza Mogosanu! This piece is in a celluloid frame from 1930s Germany, she told me in her note on the little card (a print of the same piece). I have already put it on the wall, next to another vintage oval frame. Thank you, Luiza!
This was a volley in return for some art I sent her a few weeks back. It’s such a delight to meet a fellow artist, and now I have an art pen pal in Berlin. Check out Luiza’s other artworks at her website! She is a gifted visualist, and full of light, of joy.
It fits in very well as I have a small collection of insects and bones on the shelf below all my paintbrushes.
You may recall a post in which I talked about getting a new (to me) piece of furniture for the nook between the kitchen and the dining area of my apartment. The secretary in question arrived a couple weekends ago, a piece from the childhood home of a dear friend of mine. Before it arrived, I cleared that wall and painted it as per my plan.
It suits very well! And brings a gravitas to the space; still has plenty of room for the do-dads that were on the old shelves, plus room for stemware, a jar of creepy dolls, and the nested mixing bowls that belonged to my great aunt Dot.
Now I just need a more elegant solution to the cords from the lamps, and to replace the broken drawer pulls. I also plan to get a globe lamp to reside on top to illuminate the nook in general, in addition to the string lights inside.
Below is the composite I made in Photoshop last year to visualize the transformation: