Art archive today! Here are some quaint little buildings I was commissioned to illustrate a number of years ago for a scene in a video game. I believe the project ran out of funding, which was too bad, as I enjoyed working on it.
Some time back, I began a series of drawings with a project in mind: a coloring book, all about studies of hair. Well, after I’d got three of them inked, I had a few printed on card stock, for test runs.
I’ve been looking forward to doing an hombre on the woman’s hair, and I really enjoyed painting these. However I have to admit these are not ideal subjects for a coloring book, as I’ve suspected for weeks now. Not so great for colored pencil work, nor for people who don’t consider themselves artists. maybe. It’s one of those ‘back to the drawing board’ moments. Whether I’ll still work on some sort of coloring book, or work on something altogether new remains to be seen.
Here’s a first for me: Beer can label design for the Sunset Swing annual gala, held by one of my clients (Southwest Brooklyn Industrial Development Corp.). Five Boroughs Brewing Co. created a brew just for the upcoming event, and this is the proof for the finished labels. So fun!
Below are some photos of the can and the ad journal from the event last evening. They were printed with a metallic gold for the lettering and silver for windows, which looks fantastic.
Monica Forsythe wrote an an article on Medium regarding my visiting artist talk for UMBC at the Spark Gallery during the Light City Festival in Baltimore. I’m honored and gratified to have made such an impression. It was a curious and enlightening endeavor. The preparation for the talk took me backwards through time, and reminded me where I came from. In college I was, oddly, a technophobe about computers— I was all about physical media.
In recent years, conversely, I’ve found the opposite to be true. The blank page or canvas can hold a terror it never did when I was younger; a result of reliance upon ‘save as’ and ‘undo.’ Yet I’ve never given up on the analog. I found ways to incorporate the flexibility of digital into my analog works. Scan, scan, scan; add, edit, layer.
The preparation for this talk had me go through years of process; recalling how I got from one place to the next. It was a revelation of remembrance; a kind of rejuvenation. It also reinforced how quickly things tend to change (the thesis for my whole talk)— how that’s more true than ever.
Thank you, Monica! I’ll be reading more Between the Frames in future, and keeping an eye out for your work.
I’ve begun a new project that I’ll be posting about here periodically (if not frequently). I’ll not reveal the details just yet, only a slice of the first drawing. I spent last weekend researching in preparation after an idea from last year resurfaced.
I love it when an idea that’s collected some dust raises its head again, unbidden. It usually means it’s worth pursuing. But until it picks up more momentum, that’s all I’m going to say. It’s still just a seedling at the moment— you understand. Look out for this also @edaggarart
What new project(s) do you have unfurling as the days get finer?