It’s disconcerting to run into an oversized facsimile of my own stylized face in the halls of the university. Giving my talk on Saturday evening. Super nervous! But looking forward to it, and seeing the illuminations of Light City around the Inner Harbor.
If you’re in the Baltimore area for the last night of the Light City Festival on April 8 at 7:30 pm (that’s 19:30 World Time)— do join me in the at the UMBC pop-up gallery in the Inner Harbor for a chat and presentation regarding the importance of multidisciplism (see also: generalism) in the technology-driven world of design these days.
See you in Charm City! x
This winter I embarked on a journey into audio media— a podcast to be precise. The idea happened one night when James and I were leafing through a stack of vintage magazines, finding outlandish ad copy or headlines, and reading them aloud, trying not to laugh.
Some of the content of course is meant to be provocative, for example in magazines like Hush Hush, The Lowdown, or Suppressed. But much of the most surprising copy can be found in the advertisements, which are true barometers of the culture of an era.
“Let’s do a podcast of this!”
I’d like to work more intricately with the window panes of them— maybe create some animations. Imagine the panes being even more kaleidoscopic, color-wise, and all shimmering and shifting— a transition from day to night, showing the change in the sky and the windows, as the lights wink on.
Apologies! This was meant to post yesterday— the danger of three day weekends; one forgets what day it is.
Anyway, I love this drawing! It’s an illustration that I did (in ink) as a full page for a magazine layout project back in the day. It’s my friends Kelley, Thomas, and Sean (but they were in the cafeteria at Pratt, not a cafe).
This is a post about a project I’ve been participating in for a few months. It’s a noir-style children’s book in which nursery rhymes meet police procedural. A friend and client of mine, R. Andrew Heidel (owner of famous The Way Station bar), wrote True Crimes from Rhymes Square years ago and finally found an illustrator who was right for the job— Eric Hamilton. They hired me on as the publication designer.
Eric spent months working on loads of thumbnails and sketches to work out the characters (of which there are many), as well as working out the illustrations. He provided me with no less than four thumbnails for each page/spread. I worked with the copy and layout design to arrive at a good balance of text-to-image, and Andy and I art directed during this process.
The book is being produced with the help of a Kickstarter campaign, and will be a sort of work-in-progress limited-edition hardcover, comprised of rough drawings, polished pencil illustrations, and final painted illustrations. It will serve as proof-of concept when Andy approaches publishers to create a series based on this initial story.
More images after the jump!