The rain was very light, but the skies were darkening. After learning what the satellites warned, we broke camp— packed as quickly as possible, ran to the boardwalk and rode fast to beat the real rain at our backs. Made it to a bayside pub to wait out the rain then another quick dash to the ferry dock.
By the time everyone boarded the rain had stopped. Later, as we rounded the bend toward the Verrazano Narrows, the divide between the portside storm and clear skies ashore (starboard) was dramatic, and those of us on deck got a little of the rain. (Still, better to be on deck in rain and wind than below in the too-chilling air conditioning.)
The situation of the weather in these photos brings to mind the original meaning of the word POSH: Port Out; Starboard Home. On a larger vessel, posh seats would have been just the thing in this case.Back in Sunset Park, cycling northward on Second Ave, the post-storm light was too good, so I had to stop to take pictures a few times.
This is part one of two, as I took a slew of photos this afternoon, walking through Green-Wood Cemetery with my younger brother, in town for a few days. This cemetery is very near my apartment, yet I haven’t been since last summer. It was a trip to release one of my goldfish (grown too large for my tank) into the beautifully tended koi and comet pond there.
Here begins Elysium.
Here is a version of the sketch from the bottom of yesterday’s post (also below)— to which I returned last evening and added color. Jolly! Messy, and because I used the Pilot G2, a little muddied from the ink smearing, but jolly nonetheless.
Above: Sketch of the wee truck-turned-garden on the Gowanus Canal. The pencilling is decent, but I rather cocked it up with the paint and markers, as you can see below. It has put in stark relief my lack of experience with using color in outdoor environments; sunshine and flora.
Last week I stumbled upon Urban Sketchers, a sort of global consortium of like-minded individuals who draw from life, primarily in the streets. They aim to finish each piece in situ. I plan to take up the challenge more seriously, and with more care, having seen some of the brilliant work done by other sketchbook artists. I’ve joined up with the NYC chapter; a new art community.
Speaking of— Friday I began a new sketchbook. It has very thin paper, and not so good for taking marker and watercolor. I’ll do my best to blast through this one at rapid fire. It will be good for me in the way of not allowing me to get too precious, which is bad for experimenting, improving, so the timing is good—a push to make the most of it. As we all know, good art needn’t require the best materials.
Here’s a sketch done on the subway. This one came out alright with color. I was more strategic with my use of color, and this one is more in my usual line of sketching: people, mostly.