It’s a fine Sunday, breezy and overcast; not bad qualities for a lazy morning at a window-side desk.
A long time ago I used to use crow quill dip pens for drawing and lettering. Though it can be a chore keeping those nibs clean enough to flow nicely, their character cannot be matched by the modern ink-filled pens that strive to emulate the look. It is, in part, the tension between the sharp metal and the paper that makes it unmistakable.
This little monochrome sketch has aways touched me. It somehow reminds me of Tove Jansson’s Fillyjonk character. I’ve been posting forgotten things from old sketchbooks on IG; follow me @edaggarart to see more.
This is a sketch from a couple weekends ago. My friends Sarah & Tara were performing at Freddy’s Bar & Backroom, and the band that followed them was
Elijah Shiffer And The Robber Crabs. The sax player had a sort of steam punk-looking alto sax— it had a machine-like patina not generally associated with such an instrument. .
I began to draw it, but with so much detail amid all the movement, it was difficult to pin down. Anyway, I quite like this sketch, even unfinished.
Some recent spreads from my sketchbook. It is not a Moleskine— I chose a knock-off for this trip, which was a little wider, and had white paper instead of the cream color of moleskines. Unfortunately, though the paper is nice and heavy, this paper lacks the clay coating or whatever it is that makes a moleskine so great for watercolor.
On these pages, the watercolor just sinks in immediately, losing its vibrance and its ability to move around, meander a bit before settling.
The only color here that is vibrant is the cadmium yellow, which is a different brand of half-pan than I’ve been working with, which is more like a gouache, really. (The red on the second spread is mixed with some of that yellow)
It lacks true transparency unless used with a lot of water. A problem, as I tend to paint over inked drawings, whose lines can get obscured beneath it.
A couple of mild disappointments— and lessons!
Apologies for the long gap in activity here. I did so well with a minimum of 1-2 posts per week for over two years, and recently dropped the ball! I was on a trip to my usuals over the past couple of weeks; Amsterdam, Berlin, and Paris— photos forthcoming as I go through my selects, and follow the threads of some stories.
I traveled with Z, and by younger brother, J. We had a wondrous adventure and spent lots of time with old friends, and some new ones. Above is a little cartoon I drew of us one evening in Paris. This is purely from imagination, not a true portrait, but I think it captures us on our trip rather well.
More posts to come very soon, as I find time here and there to process and unpack the many photographs (and thoughts, feelings) from my travels.
Just a little drawing I did yesterday at Halyard’s, where I stopped for a little while during my wander.
On Friday we leave for our trip to Europe! It’s been just over two years since my last visit, and I’m super excited. I still have some freelance work to do; drawings for the documentary— and of course my regular full time job as well. But no doubt this week will fly, as has this whole month.
Here are a couple watercolor studies I did last night involving compositions of overlapping shapes. I haven’t touched my half-pans in months, and it was nice to get out the brushes again.
These are related -somewhat- to elements of a small design system I’m in the midst of at work for an upcoming event. In particular the top one, where the colors are doing their natural combinations when overlapped.
This second composition was rather a departure or experiment that, while some interesting things happened, rather collapsed the visualization of the colors’ transparency. By removing the natural order of color interplay, the whole thing flattened out altogether to the eye. There’s no reason or logic to it.