Luck is a residual of preparation: visiting artist talk


Monica Forsythe wrote an an article on Medium regarding my visiting artist talk for UMBC at the Spark Gallery during the Light City Festival in Baltimore. I’m honored and gratified to have made such an impression. It was a curious and enlightening endeavor. The preparation for the talk took me backwards through time, and reminded me where I came from. In college I was, oddly, a technophobe about computers— I was all about physical media.

In recent years, conversely, I’ve found the opposite to be true. The blank page or canvas can hold a terror it never did when I was younger; a result of reliance upon ‘save as’ and ‘undo.’ Yet I’ve never given up on the analog. I found ways to incorporate the flexibility of digital into my analog works. Scan, scan, scan; add, edit, layer.

The preparation for this talk had me go through years of process; recalling how I got from one place to the next. It was a revelation of remembrance; a kind of rejuvenation. It also reinforced how quickly things tend to change (the thesis for my whole talk)— how that’s more true than ever.

Thank you, Monica! I’ll be reading more Between the Frames in future, and keeping an eye out for your work.

Below: some selects from the presentation, for fun.
Title slide for ELizabeth Daggar visiting artist talk at Light City for UMBC

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Remember that project I mentioned? Inking fine lines

ink drawing portrait of a man
Here are some sneak peaks of the first two illustrations for the book I’m working on. These top to are photos showing much of the finished illustrations, and below are details of the scanned images.

ink drawing of a woman with long hair

I need to gain momentum; I’d like to complete 3-4 illustrations per week to keep this moving. Gotta stay motivated!
section of an ink drawing portraitsection of an ink drawing portrait
And here is a slice of the pencil for number two.

Do you have a new project for Spring?


I’ve begun a new project that I’ll be posting about here periodically (if not frequently). I’ll not reveal the details just yet, only a slice of the first drawing. I spent last weekend researching in preparation after an idea from last year resurfaced.

I love it when an idea that’s collected some dust raises its head again, unbidden. It usually means it’s worth pursuing. But until it picks up more momentum, that’s all I’m going to say. It’s still just a seedling at the moment— you understand. Look out for this also @edaggarart

What new project(s) do you have unfurling as the days get finer?

Have you tried the the Nik Collection for photos?

Brugge canal houses
Brugge canal houses: A photo from my Canon Powershot with some curves applied in Photoshop. This is what I used for testing out the Nik Collection; it’s a lo-res version of original image).

Google has a set of photo filters that are really pretty powerful. There are loads of presets, and with ranges of layers that can be selectively controlled.

They say the filters work with Photoshop, Lightroom, etc, but you’ll see that they are installed as stand alone apps; I presume they draw upon Photoshop‘s engine to work their magic.

You will suffer from option paralysis!

Below are a few samples, with names of filters within each set. Captions note which are presets, and which have been modified. One of the most impressive tools in all of these is the integration of control points, with which you can affect specific areas of the image, when a global change isn’t optimal.

Analog Efex

Classic camera 2 [preset]
Brugge canal houses
Classic camera 4 [preset]
Silver Efex

Classic camera 5 [modified settings] Continue reading

Working with ink: three renditions of a narrow place

ink drawing of treesThis relates to my post yesterday, regarding a drawing of birch trees.

This is the finished inking of a closed in, tangled forest scene I drew last week— album art for a client. This was drawn with pale graphite, then outlined and hatched ten thousand ways to Sunday with a Micron .01mm pen, and finally some washes (a gentle blend of India  ink and water).

This piece was very much inspired by an illustration from Comet in Moominland, by Tove Jansson. The final art for the record sleeve is below, as it looks with color layered in digitally.

And below is the drawing prior to the background hatchings and ink washes. I quite like it as a snowbound clearing, but the purpose of this image (for the record) is to underpin a feeling of being lost, and in a dark, narrow place.ink drawing of trees

 

Multidisciplinism? I’m gonna talk about it in Charm City. (update)

Poster for Elizabeth Daggar, visiting artist at the Light City Festival in Baltimore, April 2017Observations of a Visualist

If you’re in the Baltimore area for the last night of the Light City Festival on April 8 at 7:30 pm (that’s 19:30 World Time)— do join me in the at the UMBC pop-up gallery in the Inner Harbor for a chat and presentation regarding the importance of  multidisciplism (see also: generalism) in the technology-driven world of design these days.

See you in Charm City! x

 

Floor plans of a room: art archive

map of a room; layout design
A two-dimensional layout

I’ve no recollection of what these plans / designs were intended for; sketches at least 18 years old. Regardless of their erstwhile infamy, I don’t know what the three screens were about, and don’t know to what room these referred. And what on earth is “Model of Strategy”? It had to be for work (“Time to Market” is a phrase I’d never use otherwise. But there’s a midget!? Or I was just taking the piss.)

At any rate, I’m fond of both the spirit and execution of these sketches.

map of a room; interior design
Now with three dimensions!