Montmartre— in light and dark

Montmartre— dans la lumière et l’obscurité

Sacre Coeur blackand white photo angle from belowThese are photos from our first afternoon in Paris. It stayed light til 8:30.

Now, you know, I’ve been dreaming of the trip— now that it’s over. As I did before it was born. Friday was two weeks since we left for farther shores. It went by fast and slow, as time does.

Felt like four days; felt like four weeks. Away –and three cities away– will have that effect.

streets of Montmartre, photos in black and white
streets of Montmartre, photos in black and whitestreets of Montmartre, photos in black and white

Life is different —and the same— when you return. That is to say, life is the same but you’re a little different.

streets of Montmartre, photos in black and whitestreets of Montmartre, photos in black and white

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Yesterday the Spring Equinox; today a Snow Day

snow falling on the view of the playground (photo)

Today is an unexpected day off for me after working more or less every day since February 26! Granted, some of those days I only worked 2-3 hours, but still, this has come at a perfect time, as one of my big project deadlines culminated in our company’s annual event yesterday.

Very nice to have a lie-in today, and I’m still in my pajamas. One of the best views of a snowstorm is the one from indoors, wearing one’s soft pants!

looking out on a snowy street through a fire escape (photo)

A hundred eyes look upon us but cannot see us

b&w photo of a building facade with many windowsA hundred eyes look upon us but they cannot see us

b&w photo pf brookly nbridge, manhattan bridge in distanceTwo bridges in fog and no one to cross them

A Moominvalley morning in full sun

Photo of Moomin book and coffee in a Moomin mug

I love the world Tove Jannson created with her wonderful Moomin books. The writing and illustrations are top notch, full of subtlty and wistfulness and the complex emotions we don’t always allow children* to have, or forget they have. Her works are up there with Edward Gorey to my mind, and the beautiful animations made of Charles Schultz’ Peanuts gang (especially the Christmas special).

The other week I showed a friend my pencil animation in progress and he said it reminded him of Edward Gorey meets Peanuts; as you can imagine it made my day 🙂

Happy Saturday, readers!

.   .   .

*or ourselves

Enduring the caprices of the gods

photo of blurred trees in winterNone of us is a stranger to the need for endurance. It’s a universal theme; always returned to in stories.

We endure. And in the strength we needful gain in our small hero’s journeys, we encounter the requirement of meaning. Neither the smallest nor greatest of trials is endurable without that ineffable, elusive thing we all seek: for life to be meaningful.

photo of a tangle of winter trees

It’s the only way to make sense out of the chaos that resides in the spaces we all (humans, gods*, nature) share. Time gives it and robs us of it. All is ever. Change is the greatest weapon of the gods; we convince ourselves the we are in control, but it’s they who pull the strings.

The gods love(d) us for our plodding predictability; made games for their amusement of disrupting and manipulating us. Some of the meaning we seek can be found in the ways we regard, respond to –and endure– these disruptions.

.   .   .

*I use this word in the sense of the gods as we’ve always invented them; stories of the forces which we do not understand made fathomable, endurable.

Also: read The Marriage of Cadmus & Harmony.** It’s an incredible, applicable unpacking of Greek mythology, full stop.

**The Times review is good. But beware! “This desire to remain at a respectful distance from the ancient world keeps Mr. Calasso’s book, for all its real learning, from being a work of scholarship.” That’s a sentence that, in my opinion [IMO], is bullshit— or rather, a mere opinion (despite the author’s ‘real learning’).

Our hopes such as they are, invisible before us, untouched and still possible*

black and white photograph of sun coming through tree branches

Returned from the snow farm for the last few days of the year’s closing book. Serene here, too— quiet and white-blanketed. Few people are on the sidewalks, chilled and brittle. The emptiness of the playground today: a witness to the mercury, its height diminished despite bright sun.

And here we meet our fabricated bookends for time, believing we can hold or control it; we note it and name it to preserve the illusion. All is change, even the end of things, like the dying year to be replaced or born anew this midnight. Supplanted by new hopes, optimism in the dark corner of the year. Rebirth, Springtide: a crocus fighting her way up through a crust of snow.

Her bloom and demise are written in the maths that make her. Only we personify it, make a mirror of her. We with our imagined souls are infinitely fragile. So we make of her a beacon.

We’ll wait for her in the darkness yet to come. We’ll look for her as we burn through the woodpile, stacked under the eaves last fall. And as we watch the icicles melt, painting the days toothless, mild, and green again.

black and white photograph of a farm house in a snowy fieldblack and white photograph of a barn an silo on a snowy hillblack and white photograph of a large oak branch and a silo on a hill in the distance

*from the poem ”To the New Year” by W. S. Merwin