Just a little drawing I did yesterday at Halyard’s, where I stopped for a little while during my wander.
On Friday we leave for our trip to Europe! It’s been just over two years since my last visit, and I’m super excited. I still have some freelance work to do; drawings for the documentary— and of course my regular full time job as well. But no doubt this week will fly, as has this whole month.
Today is an unexpected day off for me after working more or less every day since February 26! Granted, some of those days I only worked 2-3 hours, but still, this has come at a perfect time, as one of my big project deadlines culminated in our company’s annual event yesterday.
Very nice to have a lie-in today, and I’m still in my pajamas. One of the best views of a snowstorm is the one from indoors, wearing one’s soft pants!
A sample of one of the little instagram comics that Z and I crafted last year under the handle @whileyouwerehappy. We kept at it for awhile, but it was time-consuming and after maybe 4-5 months our attentions inevitably turned elsewhere. It was fun, though, and we really did make ourselves laugh like mad people over them.
This image, a detail of one of my assemblages involving old porcelain dolls. Their halos are of sterling wire.
I think the original title of this was A sick thing upon the rocks in the very early morning. It’s from when I was a teenager in college. (I think the sketch that precipitated this ink drawing originated during an acid trip; that coming down feeling—)
As I see it now, looking through the archive, it looks to me like a personification of the tail end of winter. Fighting in vain against the sun; unwilling to exit stage left; refusing to retreat for its Persephone months—
Those during which she must return to where she’d been abducted. By absent-mindedly eating the pomegranate seeds proffered by Hades, she doomed herself to a third the year in the underworld, thereby depriving the surface of the world of green things growing during her absence.
That is Winter, which doesn’t like to take its leave quietly, gracefully.
. . .
(TBH, the way I wrote the title of this post reminds me of nothing so much as the GOP, but that’s a different sort of post altogether.)
Above: sketch of a suburb— viewed from the spire, as it were. A suburb represents, to me, a place that lacks the most wonderful parts of both cities and wide open spaces*; A pattern imposed; a restrictive one— made to serve its developer’s purpose rather than its inhabitants. Sometimes, life feels that way, no?
(how things move altogether too quickly and smoothly once a pattern is imposed)
It‘s what patterns are for.
It’s both good and bad; comforting and regrettable. Like choosing to stay in and get a good sleep when it’s a big wondrous and scary blizzard out. You know what I mean; one feels torn, a bit. Yet resolved. It‘s life— that feeling of contradiction that somehow fits because we‘ve been socialized and trained to accept that it fits.
Days, weeks simultaneously dragging and speeding by. It‘s the unquantifiable aspect of time that math-science is less equipped to deal with than psychology-science. Viz. feelings and other ephemera more in the realm of the social sciences, aka art literature poetry philosophy— the realms comprising questions and not so many answers (yet every answer, too)†.
Math-science satisfies the Libra in me (picked up perhaps from proximity to my balanced Libra brothers). The designer in me thrives on the practicality of measurement; of the quantifiable. The artist (Scorpio) in me prefers to live the questions, as Rilke put it.
Here are a couple watercolor studies I did last night involving compositions of overlapping shapes. I haven’t touched my half-pans in months, and it was nice to get out the brushes again.
These are related -somewhat- to elements of a small design system I’m in the midst of at work for an upcoming event. In particular the top one, where the colors are doing their natural combinations when overlapped.
This second composition was rather a departure or experiment that, while some interesting things happened, rather collapsed the visualization of the colors’ transparency. By removing the natural order of color interplay, the whole thing flattened out altogether to the eye. There’s no reason or logic to it.