Another drawing in service to the animated short I’m working on. This is one I did last weekend, and I’m hoping to get the barn and silo illustrated from at least one point of view this weekend. Also: fences.
I’m looking into learning more about the puppet tool in After Effects, too, so that I’ll be able to get a wider range of motion out of the creatures I’ve yet to flesh out.
In the meantime, I also have several illustrations to do for the documentary side project I’m working on. So much to do, and weekends go by awfully fast.
Here is a fox. This is a study or start of the character design process. He will appear in the animated short I’ve undertaken to create. I’ve still not done any story boards, nor have I a story set in my mind, but I do tend to get ahead of myself with these things.
Below are some scratchy starts of other potential characters; deer, and the horses (who shall be background characters, seen off in the distance where the farm is). I’m beginning to have grasp what a lot of work this will require, creating the whole thing of layered pencil drawings! But jolly fun.
At the bottom you’ll see two of the six sets of trees that so far comprise my introductory forest scene; dark trees are foreground, and everything pales as it recedes.
I had one of those odd coincidences earlier this week. At my new job, we are sometimes availed of complimentary tickets to events— for example this week it was attendance to a two o’clock performance of Ravel’s Bolero (and two other pieces, but that was the star) by the NY Philharmonic on Jan 20th.
It just so happened that a few days earlier I’d been listening to Rufus Wainwright, in whose song Oh, What A World he introduces and plays off the primary riff of the very same piece (to wonderful effect). After listening to it, I felt compelled to track down the original and listen to it in full.
This precipitated a persistent dream last Saturday morning in which I was building a playlist consisting only of waltzes (for which I’ve a weakness, and to which category both Rufus’ and Ravel’s songs belong). So upon waking I slavishly began building said list*.
It was weird and exciting to be invited to hear it played by the philharmonic just days after. And I assure you I would be going, except I’d just secured tickets to see Farinelli & the King the same day at eight o’clock— and as keen as I may be, that would just be far too long a day to spend on Work Island on a weekend. : : sigh : :
Anyway. I love when shit aligns or collides out of the blue like that.
. . .
*You can listen to 24/7 Waltz People if you have Google Play. (Admittedly I overreached, and a few rags made their way on it, too. Whatevs.) Ravel didn’t make it on, though, as it’s all contemporary.
PS— Sorry I missed my Thursday post. Here it is, terrifically late. More to come over the weekend, relating to the animated short began last weekend.