Some recent spreads from my sketchbook. It is not a Moleskine— I chose a knock-off for this trip, which was a little wider, and had white paper instead of the cream color of moleskines. Unfortunately, though the paper is nice and heavy, this paper lacks the clay coating or whatever it is that makes a moleskine so great for watercolor.
The only color here that is vibrant is the cadmium yellow, which is a different brand of half-pan than I’ve been working with, which is more like a gouache, really. (The red on the second spread is mixed with some of that yellow)
It lacks true transparency unless used with a lot of water. A problem, as I tend to paint over inked drawings, whose lines can get obscured beneath it.
A couple of mild disappointments— and lessons!